Durango- Rippey (Oklahoma) 1913 Davis App B
[Davis, Traditional Ballads of Virginia, 1929, B version in Appendix. His notes follow. Bronson prints date as December, 1913. This may be a mistake by Bronson.
The melody is printed in Ballads Surviving in the United States: Page 19 by Charles Alphonso Smith - 1916 as Durango From Tonkawa, Oklahoma; Published in "The Crimson Rambler." Davis adds "Sung by the mother of E. A. Rippey. January 14, 1914" and "this old ballad was sung to the writer by his mother when he was a young child. . . It is clear that some stanzas of the poem have been lost." [E. A. Rippey.] Durango is apparently a mishearing of Lord Randolph.
R. Matteson 2011, 2014]
LORD RANDAL (Child No. 12)
The famous old story-bearing dialogue between a mother and her son who is poisoned masquerades in Virginia as "John Willow, My Son," "Johnnie Randolph, My Son," "Johnny Rillus" (or "Rilla" or "Rolus" or, "Riller" or "Reynolds"), "Ransel, My Son," "McDonald," "John Elzie," "Billy Randall or A Rope and a Gallows," and "Where Have You Been to, My dear Son?," seldom as "Lord Randal."
In "Johnnie Randolph, My Son," the fame of a distinguished Virginian, John Randolph of Roanoke, has penetrated into ballad tradition. Cox finds the same title in West Virginia. One is glad to find in Bruce's Life evidence that Randolph was himself a ballad fancier and that therefore he may be considered worthy of the ballad's tribute to him, Writing to a niece, February 20, 1820, Randolph says: "Do you know a ballad that used to be sung to me when I was a chlld by a mulatto servant girl of mv cousin Patsy Banister, called Patience, about a rich suitor offering 'his lands so broad' and his golden store to a girl of spirit whose reply was somehow thus?
What care I for your golden treasures?
What care I for your house and land?
What care I for your costly pleasures?
So as I get but a handsome man.
I pray thee get me that ballad. I can give you the tune."
The fame of still another John may be linked with this ballad. Scott's preface to this ballad in his Minstrelsy of the Scottish Border quotes a manuscript chronicle of England which recounts the death of King John of England in a manner not unlike the ballad account of Lord Randal's death.
Most of the Virginia variants belong with Child A or B, but some show relations with other versions, notably D. Most of the texts here given prefer the "hell and fire" ending of A to the "rope and gallows" idea of B (one substitutes "a keg of powder to blow her sky-high"), but all except two follow B in eliminating the death of the dogs, which elsewhere serves as an indication that the master, too, is poisoned. A general verbal similarity with Child D is to be noted.
Two very interesting survivals among the archives have been excluded as not strictly Virginian. One, "as sung by boys from the East Side of New York City," has the son o' Henry" (cf.Child C) answer that he has been down at grandma's, (cf. Child I, K, R), and finally leave the rope, etc., not to his sweetheart, but to his brother. The other, which comes from Oklahoma and is known as "Durango," indicates the grandmother as the poisoner (cf. Child I). They appear as Appendices A and B.
For American texts, see Barry, No. 10; Brown, p. 9 (North Carolina); Bulletin has 2-5, 7-11; Campbell and Sharp, No. 6 (North Carolina, Georgia); Child, 1, 163 (Massachusetts), 499; Cox, No. 4; Hudson, No. 4 (Mississippi); Journal, xIII, 115 (Newell, Ohio, New York, New Brunswick, Scotch variant obtained in America); XVI 258 (Barry, Rhode Island, Masschusetts, five texts and four melodies); XVIII 195 (Barry, Rhode Island, Maine, text and melody, Massachusetts, nine texts and seven melodies, Cornecticut, text and melody, Vermont), 303 (Barry, Vermont, text and melody: XXII, 77 (Barry, Pennsylvania, melody only), 375-(Barry, Maine, text and tune; XXIV,345 (Barry, Maine); 157 (Tolman, fragment); XXX 289, Kittredge Indiana, fragment, New York, fragments, Missouri, fragment ans melody), xxxv, 338 (Tolman and Eddy, Illinois, fragment and melody), XXXIX (Whiting, Maine); McGill, p: 19; Pound, Syllabus, p.9 (fragment) Pound, Ballads, No. 1; Shearin, p. 4; Shearin and Combs, p. 7; Shoemaker p. 139; C. A. Smith, p. 79 (New York fragment, Oklahoma, and Great Britain, melodies only), Reed Smith, No. 2; Reed Smith, Ballads, No. 2; Focus, December, 1913; February and March 1914 and The Crimson Rambler Tonkawa, Oklahoma), vol. 8, No. 4. For additional references see Jounal XXIX, 157; XXX,289.
Durango- Rippey (Oklahoma) January 14, 1914 Davis Appendix B
1. "What had you for supper, Durango, my son?
What had you for supper, my darling one?"
"An eel fried in batter; mother make my bed soon,
For I'm faint and I'm weary, and I want to lie down."
2. "What will you leave mother, Durango, my son?
What will you leave mother, my darling one?"
"A coach and fine horses; mother make my bed soon,
For I'm faint and I'm weary, and I want to lie down."
3. "What will you leave sister, Durango, my son?
What will you leave sister, my darling one?"
"A box of fine jewels; mother make my bed soon,
For I'm faint and I'm weary, and I'm almost gone."
4. "What will you leave grandmother, Durango, my son?
What will you leave grandmother, my darling one?"
"A rope for to hang her; mother make my bed soon,
For I'm faint and I'm weary, and I'm gone, gone, gone."