The Bluegrass Messengers
All Night Long Version 3 Oscar Craver

All Night Long

Old-time, bluegrass, jazz song. Widely known.

ARTIST: Oscar Craver (Byrd Moore) on Conqueror 7259 CATEGORY: Fiddle and Instrumental Tunes

DATE: Recorded-June 22, 1928 Issued-February 1929 Earliest printed date song by Shelton Brooks 1912. Earliest recording by Roba & Bob Stanley 1924.

RECORDING INFO: [Clarence] Ashley & [Gwen] Foster, "Baby, All Night Long" (Vocalion 02780, 1934) Burnett & Rutherford, "All Night Long Blues" (Columbia 15314-D, 1928; rec. 1927; on BurnRuth01) Oscar Craver [pseud. for Byrd Moore], "All Night Long" (Conqueror 7259, 1929) Clint Howard & Fred Price, "The Richmond Blues" (on Ashley02, WatsonAshley01) Frank Hutchison, "All Night Long" (OKeh 45144, 1927) Earl Johnson & his Dixie Entertainers, "All Night Long" (OKeh 45383, 1929; rec. 1927) Miles & Bob Pratcher, "If It's All Night Long" (on LomaxCD1703) Roba & Bob Stanley, "All Night Long" (OKeh 40295, 1925; rec. 1924) Blizard, Ralph; & John Lilly. Blue Highway, Blizard BH4591, Cas (1991), trk# 8 (Richmond Blues) Burnett and Rutherford. Mountain Songs, County 504, LP (196?), trk# A.05 [1927/11/03] Bursen, Howard (Howie). Building Boom, Flying Fish FF 441, LP (1988), trk# A.01 (Richmond Blues) Fly By Night String Band. Fly By Night String Band, Fretless 146, LP (1980), trk# B.02 (Richmond Blues) Foghorn Stringband. Old-Time Portland Potluck, Bubbaguitar, CD (2005), trk# 1b Folksmiths. We've Got Some Singing to Do, Folkways FA 2407, LP (1958), trk# B.09 Howard, Clint; and Fred Price. Old-Time Music at Clarence Ashley's. Part 1, Folkways FA 2355, LP (1961), trk# 5 [1962ca] (Richmond Blues) Johnson, Earl; and his Clodhoppers. Southern Dance Music, Vol. 2, Old-Timey LP 101, LP (1965), trk# 2 [1927/10/07] New Lost City Ramblers. Cohen, John, Mike Seeger & Hally Wood / Old Time String Band Songbook, Oak, Sof (1976/1964), p172 (Baby, All Night Long) Perry County Music Makers. Going Back to Tennessee, Davis Unlimited DU 33024, LP (1974), trk# A.04 Pratcher, Miles and Bob. Southern Journey. Vol. 3: 61 Highway Mississippi, Rounder 1703, CD (1997), trk# 22 [1959/09/21] (If It's All Night Long) Pratcher, Miles and Bob. Sounds of the South, Atlantic 7-82496-2, CD( (1993), trk# 2.04 [1959/07ca] Rossbach, John. From the Mountains to the Mills, Chestnut CRCD 103, CD (2002), trk# 6 (Richmond Blues) Rutherford and Foster. Fiddle Band Music from Kentucky, Vol.1, Wink the Other Eye, MorningStar 45003, LP (1980), trk# A.04 [1929/04/11] (Richmond Blues) Stanley, Roba. Banjo Pickin' Girl, Rounder 1029, LP (1978), trk# A.03 [1924/12ca] Tobacco Tags. Songs of the Tobacco Tags, Vol. 1, Old Homestead OHCS 156, LP (1984), trk# 7 (Good Gal Remember Me)

NOTES: The “All Night Long” songs are a group of songs ending with “all night long/ baby all night long” etc. “Paul and Silas” is an example of traditional “All night long” song. Most of the bluegrass/old-time songs originated from “All Night Long” written by the African-American composer Shelton Brooks. The verse of Brooks song, which can be viewed on-line (see Version 1), is the basis for versions by the 1927 versions by Burnett & Rutherford and also Earl Johnson. Later versions sometimes called “Richmond Blues,” were recorded by Doc Watson and Ralph Stanley.

I consider “Paul and Silas” to be a different song, although it is also a good bluegrass song (listen to The Country Gentlemen). The “All Night Long” blues songs are not the same song (even though Burnett & Rutherford titled their song "All Night Long Blues"). So the songs we are dealing with here are the All Night Long/Brooks songs. These are also titles of this branch: Richmond Blues; Let Your Shack Burn Down; Baby All Night long; Oh sweet Mama; It’s All Night Long.

Excerpt from “Shelton Brooks- A Profile” by Thomas Morgan

Shelton Brooks was born to Native American & Black parents in Amherstburg, Ontario, on May 4, 1886. His father was a preacher and as a child he played the organ in his father's church, while his older brother pumped, since the bellows were below his reach. When he was 15, his family moved to Detroit and it was there that he had his first professional music job playing self-taught piano. In 1910, Sophie Tucker's maid introduced the singer to both Brooks and the song which would become Tucker's theme when she insisted that Brooks be brought to sing for her employer in Tucker's dressing room in a Chicago vaudeville theater. It was the start of a friendship was to last a lifetime in the process enabling more than a few musical careers.

The song was Some of These Days, which Tucker liked and began using immediately. I've turned it inside out, she was to write, singing it every way imaginable, as a dramatic song, as a novelty number, as a sentimental ballad, and always audiences have loved it and asked for it. In 1911, Brooks appeared in his first musical comedy, Dr. Herb's Prescription, or It Happened in a Dream. Performed in Chicago's famous African-American owned Pekin Theater, the comedy was produced by its star, Jesse Shipp, who had previously been involved in the Williams and Walker shows in New York.

Brooks quickly became known as an outstanding entertainer whose talents included singing, piano playing, and mimicking his fellow black vaudevillian Bert Williams. He also traveled as a trap drummer with Danny Small's Hot Harlem Band for several months during this period. The second decade of the twentieth century was an era of tango teas where whisky, not tea, was the drink of choice, and parties that lasted til dawn, and Brooks's songs captured its moods perfectly. His 1912 publication, All Night Long, evoked the nightclubs that literally never closed their doors; in fact, their owners often did not even have front door keys. His 1916 instrumental called Walkin' The Dog inspired a dance that swept dance-mad Manhattan and the rest of the country as well.

Brooks's most famous song was Darktown Strutter's Ball. Published in 1917 and introduced to the public on record by The Original Dixieland Jazz Band, it became an instant success. Along with W. C. Handy and William Grant Still, the dean of black classical composers, Brooks was honored in San Francisco at the ASCAP-sponsored Festival of American Music in 1940. He died in Los Angeles on September 6, 1975.

Here are the lyrics to “All Night Long:” 

ALL NIGHT LONG by Oscar Craver 


Mary had a little lamb
Its fleece was white as snow
Everywhere that Mary went
The lamb was sure to go.
It’s all night long
Oh, it’s all night

He followed her to school one day 
It was agin the rules
Made those children laugh and play 
To see that lamb at school.
It’s all night long
Oh, it’s all night

Mary had a little lamb 
And tied him to the bed
Every time the whistle blowed
It’d shake its little head
It’s all night long
Oh, it’s all night

Mary had a little dog
It’s name was Abraham
Jumped a rabbit in Tennessee
And run into a lock and drowned
Took him all night long
Took him all night long

Mary had a little lamb 
She tied him to the shelf
Every time the whistle blowed
It’d shake its little bell.
It’s all night long
Oh, it’s all night

Oh I had little Mary’s picture
I had it in the trunk
Every time I’d look at it
I’d want to go get drunk
It’s all night long
Oh, it’s all night

I had little Mary’s picture
The dress she wore was black
Every time I’d look at it
Move one or two step back
It’s all night long
Oh, it’s all night

One time she pinned me to the sink
And told me not to tell
I fell in love with that little
And I could not get away
It’s all night long
Oh, it’s all night

Mary had a bicycle 
Learned to ride it very well
Ran into a telephone pole 
And torn it all to..pieces
It’s all night long
Oh, it’s all night

I went out at night to see my girl
When I’m walking through the hall.
Peeped to behold
Got a Mule in my stall
Kiockin all night long
Kickin’ all night long.

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